The Georgian Society of Jamaica
 
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Hart Hill Windmill
This Historic Site, Ruins of a Sugar Estate, was Recently Visited by Ivor Conolley

I arrived at the site at Hart Hill at about 10:00 am and met with Devon Baldy who identified himself as the owner of some eight acres of land in the area. He said the original buildings of the factory works and residences are spread out on other privately owned properties in the area. He showed me one structure fairly preserved and several foundation features in
various parts of the property. These foundations may be the location of the mill house, still house, overseer’s house and great house. However, careful investigation, including archival research, is needed to ascertain what these foundations were.

The most outstanding feature of the property was the ruins of a nineteenth century windmill. A date of 1827 was inscribed on a stone panel on the inner part of the structure. A name, possibly Murphy, was also inscribed next to it.  Other period markings were observed but were defaced by modern writing.  Inscriptions found were located in a cubicle between the conical structure and the mill house on the left wall when facing away from the mill house about 1.5
metres from the floor.

The structure is entirely of cut stone, faced on six sides typical of the method used during this period. The height is approximately 10- 12 metres, and is one of the largest windmill ruins I have observed to date. Another large windmill structure is located in Clarendon and has been adapted for use as a small library. The structure in Hart Hill has been kept free of foliage and is relatively intact. There are several openings in the structure reflecting damage and in need of reinforcement by supporting beams and other repairs using lime mortar and cut stone.

The windmill ruins in Hart Hill are located on the property of Devon Baldy, originally from St. Thomas, but who has made his home in Hart Hill for over 20 years. He has an avid interest in the history of Jamaica and has done research at the National Library where he has obtained
copies of maps and documents of the area. He says that the Jamaica National Heritage Trust visited the property some years ago. He plans to use the site as a heritage attraction.

- Written by Ivor Conolley

Please click on the images below to enlarge them and read the captions:
 
 
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I am over halfway through an extended visit to Jamaica and I became particularly interested in the Georgian Society as I'm an architectural journalist in my homeland of Ireland with a degree in the History of Art and Architecture. Conservation lies very close to my heart.

Having been thrown into the vibrant, colourful and slightly mad world of Jamaica a little over a month ago, there are countless subjects and issues which I have been swept up by. The architecture here reflects clear influences of African, Spanish, and British descent, but it is the structures built here during the Georgian period which have really tugged on the heartstrings. This architecture is so often beautiful, intricate and sorrowful when witnessed in anything less than a fair state.

The Georgian buildings are romantic and elegant with their formal pillars, balustraded porticoes, sash windows, square, symmetrical shape and usually exquisite fretwork. With the small size of Jamaica, it’s hard to imagine there would be as many wonderfully interesting structures as there are, yet I have been enchanted by buildings in Montego Bay, Ochi and of course Falmouth, nevermind all of those I have only seen in photos.

It's said that the life of a place exists beyond its inhabitants because of its architecture. The buildings that stand hold an incredible amount of history. They have stood through celebrations, wars and revolutions that the country faced in its time. They are the mute testament to that country's soul. I believe that architecture can represent its people better and more aptly than any other facet, because buildings can be almost immortal. It is therefore imperative that these beautiful buildings be conserved and maintained as much as is humanly possible.

Most people say they know what architectural conservation is, and nearly as many say they believe it is vitally important, yet so few really get involved. Jamaica has such a dynamic and varied history, so many stories to tell but many people don't seem to recognise the significance of preserving the fabric of that history. What is a place at all without its history, it's culture, its heritage?

What we need to see is people getting angry enough to make things happen, to make the planning authority wake up and galvanize others into thinking about this issue and taking action too. Architecture is another language of a country, and the glorious patois is alive and kicking in Jamaica while Georgian buildings stutter and disappear.

What can you do to make sure Jamaica's lifeblood is kept flowing?

Best Regards,

Rachel Cooke

 
 
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Welcome to my first blog post for the Georgian Society! I have been Chairman of the St. Ann/St. Mary Chapter for a number of years, and have been involved with the Georgian Society for much of its 40-year existence.

My obsession with Jamaica’s architectural heritage has led me to every part of Jamaica – from the ruins of lonely Great Houses, to small vernacular cottages.

In the early 80’s, with husband, Peter, the late journalist Jon Bradshaw, and Sally Henzell (of Jake’s fame), we would pull out my ordinance survey maps and decide where to go. When the maps failed, old gateposts and a row of Royal Palms often led us to hidden treasures, sometimes to the middle of a cane field or to that ubiquitous village, Peru (it exists in Trelawny).

Early discoveries were Fontabelle, with its delicate wrought iron railings, and Ramble, complete with its own ballroom, where an early attempt to grow tea was made.

Our other ‘bible’ was Wright & White’s book “Discovering Jamaica”. Sadly out of print, it’s well worth trying to track down a copy. Around this time, we also found a Victorian Manse, Harmony Hall, near Ocho Rios, and dedicated a grueling year to restoration.


The Harmony Hall Gallery celebrates its 30th Anniversary this year, and is one of Jamaica’s premier art galleries. I also invited Anghelen Phillips to Jamaica to record some of these endangered buildings. The book “Jamaican House: A Vanishing Legacy” is still in print, with careful research by Geoffrey de Sola Pinto. Sadly, a glimpse through the book will reveal that many houses have indeed vanished.

Jamaicans, understandably, have a mixed view towards these old buildings that survived from slavery and colonial times. Neglect or demolition by Government, bauxite companies and private owners have virtually decimated much of our architectural heritage.

Our goal, through education and example, is to show that there is a valuable and viable future in preserving what we still have. Jewels such as Falmouth, Spanish Town and Port Royal are of world importance in historical terms too, and should be a major part of the Tourist Board’s agenda.

Heritage Tourism is the backbone of many countries, with the Caribbean boasting a host of forts, palaces, sugar factories and sunken cities. Properly taught, our children could appreciate the craftsmanship and skill that went into each one and future generations would benefit from their preservation.

Much help is needed. Although the Georgian Society, Jamaica National Heritage Trust and the Institute of Jamaica have records, they are incomplete. Each Parish could implement their own, under guidelines and guidance of a parent body. Cheap digital cameras and widespread access to the internet and computer make this an easier task than before.

Greetings,

Annabella Proudlock
If you are interested in learning more about joining the St. Mary/St. Ann Chapter of the Georgian Society, please contact me.